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'It is a fact, an absolute fact, that there are creatures on the
surface of this earth that have never been observed by man. We
may think that we have seen all that there is to be seen on this
tiny planet of ours. We most certainly have not.'
The
Various is a novel for older children - and is a 2003 Nestle Smarties
prizewinner. It's published by David Fickling Books.
David is a highly respected name in children's publishing - probably
best known for his discovery and championship of Philip Pullman,
and the subsequent publication of his 'Dark Materials' books.
David Fickling Books is a Random House imprint.
Set
among the mysterious Somerset Levels, The Various might be described
as a fantasy and concerns the secrets of the 'little people' -
piskies, fairies, 'Jack O' Lanterns, call them what you will.
Their existence has only ever amounted to local rumour and whispered
hearsay, until a twelve-year-old child discovers the truth, hidden
away among the briars and brambles high above the wetlands. The
truth is strange and wild - and sometimes deadly.
* * *
The
Various began as a single image, a picture if you like, and a
certain smell. An atmosphere.The picture is of a pig barn - a
dirty concrete building with a rusty tin roof, down through which
stray chinks of light shine, partially illuminating the gloomy
interior. Inside the barn a girl is kneeling, beside a creature
that lies trapped and dying beneath a heavy piece of farm machinery.
The smell is of musty hay and ancient tractor oil, mixed with
dung - and blood. The creature is a winged horse.
The
smell of animal blood does not form any real part of childhood
memory - although I worked on enough farms, some of which had
their own abbatoirs, to have been familiar with it. But the atmosphere
of a barn interior, on a hot summer day, is something I can conjure
up at will. That wonderful smell of oily machinery and warm hay
- if it could be bottled I'd buy it. As for the picture - the
girl and the winged horse - I've no idea where it sprang from.
It seemed like a good starting point, a 'what if? idea. I followed
the child to the barn - looking over her shoulder as it were,
as she made her discovery - and took it from there. I had no real
preconceptions as to what might happen, no plan other than trying
to capture an atmosphere. I remembered how books used to make
me feel when I was a child, and I tried to write a book like that.
The
Various is quite old fashioned as a consequence, I think. There's
no point in pretending that I have the whole saga completely mapped
out - I don't. But I prefer it that way, and I'm not worried.
Stories, like characters, have a way of growing and developing
of their own accord, it seems, and I'm enjoying the journey. I
hope that readers will be as intrigued as I am to find out what
happens next.
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